Joie de Vivre, 1930 Framed Art Print by Robert Delaunay
Joie de Vivre, 1930 Framed Art Print by Robert Delaunay

Joie de Vivre, 1930 Framed Art Print by Robert Delaunay

Framed: Yes - Responsibly sourced solid frame with a brushed black satin finish.
Mounted: Yes – Glacier White 1400 Micron Textured Conservation Grade Mountboard
Glazed: Yes - With 2mm high-grade acrylic for safety and exceptional clarity
Paper Edition: 230gsm, fine-grain, smooth art paper
Frame Small Size: 28cm x 36cm
Frame Medium Size: 54cm x 60cm
Supplied with D Rings and string

Also available print only - unframed
Small Print Size: 28cm x 36cm
Medium Print Size: 54cm x 60cm
Large Print Size: 71cm x 80cm
Extra Large Print Size: 81cm x 90cm

Abstract artist and co founder of Orphism art movement Robert Delaunay, often divided his canvases into equal segments, distributing complementary and non-complementary colours amongst a succession of geometric forms. This process was based on the law of simultaneous contrast, developed by French chemist Michel Eugène Chevreul who stated that two colours in close proximity will take on the hue of the complement of the adjacent colour. Delaunay applied this theory when producing ‘Joie de Vivre’, positioning hues of red and orange against greens and yellows which appears to make the surface of the canvas vibrate.

Ref: 471819

Buy this print online:


Joie de Vivre, 1930 Framed Art Print by Robert Delaunay

Joie de Vivre, 1930 Framed Art Print by Robert Delaunay

Framed: Yes - Responsibly sourced solid frame with a brushed black satin finish.
Mounted: Yes – Glacier White 1400 Micron Textured Conservation Grade Mountboard
Glazed: Yes - With 2mm high-grade acrylic for safety and exceptional clarity
Paper Edition: 230gsm, fine-grain, smooth art paper
Frame Small Size: 28cm x 36cm
Frame Medium Size: 54cm x 60cm
Supplied with D Rings and string

Also available print only - unframed
Small Print Size: 28cm x 36cm
Medium Print Size: 54cm x 60cm
Large Print Size: 71cm x 80cm
Extra Large Print Size: 81cm x 90cm

Abstract artist and co founder of Orphism art movement Robert Delaunay, often divided his canvases into equal segments, distributing complementary and non-complementary colours amongst a succession of geometric forms. This process was based on the law of simultaneous contrast, developed by French chemist Michel Eugène Chevreul who stated that two colours in close proximity will take on the hue of the complement of the adjacent colour. Delaunay applied this theory when producing ‘Joie de Vivre’, positioning hues of red and orange against greens and yellows which appears to make the surface of the canvas vibrate.

Ref: 471819

Buy this print online: